Considering the trauma they’ve underwent, and the fact that as far as they know everyone they’ve ever loved is now officially dead, why not have a walkabout? It’s kind of a silly, aimless quest for the two to undertake, but Beth is insistent and Daryl is unwilling to let her wander off to die. The slow build of the episode from the opening onward, the way Daryl barely says anything while Beth tries time and time again to get him to open up, the fruitless search for alcohol (only to yield Peach Schnapps, the worst possible thing imaginable), and the inevitable opening up of the locked chest of emotions for both Beth and Daryl was just stunning, both in content and in execution. No two ways about it, she got a very plumb assignment and she knocked it directly out of the park this week. At least, not yet.)Īngela Kang has submitted a brilliant script for this week’s episode. They’re like the Odd Couple, except with drastically more likelihood to end up having sex at some point. He’s a killing machine and she takes care of babies. He’s a brooding loner and she’s a bubbly, outgoing girl. After all, she’s a young, impressionable girl, he’s the dashing hero who keeps saving the day. They had a few good moments together earlier in the season, and when they went off on their own, it became pretty clear that it was going to create the potential for a lot of dramatic tension. It’s a pairing that really seems to work. On the other hand, we’ve got Beth, who is almost as much of a mystery, who isn’t nearly as popular as Daryl, and who apparently has an infinite knowledge of Tom Waits song lyrics. ![]() ![]() We know very little about him, all things considered, because he’s not the kind of character who’ll sit down and air out his grievances, nor is he the kind of character who’ll make a big speech talking about himself, his goals, and his dreams before dying – Daryl is too popular to die. However, when you have a compelling central character, bottle episodes can work really well. Most of the farm season felt like bottle episodes, and not particularly good ones. The X-Files produced some of their best episodes when forced into a bottle, but The Walking Dead, thus far, hasn’t been the best at this sort of thing. For some shows, this is a recipe for disaster. In the case of a show like Star Trek, which coined the phrase “bottle episode”, they were a much-needed way to save money and use existing sets and actors while still filling an hour of television. Bottle episodes can be a real mixed bag as far as television as a whole.
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